Bella White: The Rising Americana Voice You Need to Hear
Some artists sound polished. Some artists sound real. The rare ones give you both.
I caught up with backstage at the Charleston Pour House right before she took the stage — you can hear the traffic outside, the crowd starting to buzz, and the energy building before the show.
At just 25 years old, Bella is writing songs with an emotional honesty and depth that feels timeless.
We talked about emotional restlessness, life between places, quietly commanding a room, and how heartbreak and searching have shaped her songwriting.
She also opened up about evolving beyond her bluegrass roots while staying true to the music that raised her.
Bella’s upcoming album A Sign in the Weather is going to connect with a lot of people.
This conversation made it obvious why her shows are selling out across the country right now.
Transcript
Take it from me, I have seen it all Take a big fall again.
Speaker B:Some artists sound polished, some artists sound real.
Speaker B:The rare ones, though, give you both.
Speaker B:This is Ben Fanning, host of Americana Curious.
Speaker B:My co host, Zach Schultz, couldn't join me for this one, but I want you to hear when I caught up with Bella White at the Charleston Poor House before she took the stage.
Speaker B:You're going to hear the traffic outside and the crowds starting to buzz before the show.
Speaker B:And within minutes, it's obvious you're going to hear it.
Speaker B:Why so many people are connecting with her music right now.
Speaker B:At just 25 years old, she is writing songs with an emotional honesty and depth that feels timeless.
Speaker B:She's about to release her third album, A Sign in the Weather, and she is selling out rooms across the country.
Speaker B:And the early singles from this album are superb.
Speaker B:You'll get to hear a literal backstage look into life on the road, all about emotional restlessness and how that works its way into her writing.
Speaker B:And you'll also hear about how she quietly commands a room and why her music resonates so deeply with people searching for something they can't quite explain.
Speaker B:Here's Bella White.
Speaker A:All the times I want it out the times when you lie to me the times I'd say sorry and I should never.
Speaker C:What does a artist like you do to get ready for the show and kind of adjust a new city and get ready for the show?
Speaker A:Well, it kind of like depends on the day and how much time there is.
Speaker A:But, like, for example, today we got here yesterday, so we had the day off, so we actually went to the beach, which was fabulous.
Speaker A:Swimming in the ocean, you know.
Speaker C:Which beach did you go to?
Speaker A:Do you remember Foley?
Speaker C:Folly.
Speaker C:Folly, right down the road.
Speaker A:Yeah, we went to Folly Beach.
Speaker A:It was wonderful.
Speaker A:We just, like, took totally kicked the ball around and had a good time.
Speaker A:But, yeah, I think, like, if it's a quicker turnaround than that, like, usually try and find a place to like, get some food that feels maybe, like, local, to, like, get an actual feeling for where we are.
Speaker A:Because it's easy to just, like, exist in only exclusively liminal space on tour.
Speaker A:Like when you're going from the hotel to the car to the green room to the stage, whatever it can.
Speaker C:What a great word, liminal.
Speaker A:Yeah.
Speaker C:Only a true songwriter would use that word.
Speaker C:That's the space in between.
Speaker C:Yeah, it's like the space in between the shows is that liminal space?
Speaker A:Totally.
Speaker A:Yeah.
Speaker A:So we try and eliminate the liminal space a little bit and create, like, try to kind of gather an understanding of, like, where we actually are and what it feels like and all that.
Speaker A:So, yeah, we just, like today went to the beach and then came here and it's all going pretty.
Speaker A:Pretty chill.
Speaker C:You have on one hand a very soft, clear voice, which I think is.
Speaker C:It's almost like a.
Speaker C:This is my opinion.
Speaker A:Oh, yeah.
Speaker C:Listeners might have a different.
Speaker C:But it's.
Speaker C:It's very clear.
Speaker C:It's.
Speaker C:It's softer.
Speaker A:Thank you.
Speaker C:But emotionally, it lands very hard on a lot of your songs.
Speaker A:I love that.
Speaker C:When did you realize that you could actually command a room?
Speaker C:Because I think if you're the kid in class as a young kid or in the choir, who's getting up like young Michael Jackson dancing in front.
Speaker C:Commanding.
Speaker C:Yes, but you are commanding the report.
Speaker C:You are commanding these shows, but not in that kind of overpowering way.
Speaker A:Yeah, well, that's really thoughtful and nice of you and I'm glad it comes across that way.
Speaker C:I guess the idea of that.
Speaker A:Yeah, well, no, I mean, I guess that at times I felt like it is such a.
Speaker A:It's such a fine line to walk, but I guess I kind of started realizing that I was having some kind of an impact.
Speaker A:I don't know, I was.
Speaker A:I would play like open mics and stuff when I was like a teenager and I was busking a lot.
Speaker A:And I feel like practicing performing in those kinds of settings that are kind of like low stakes was.
Speaker A:Was good for that because I, like, learned sort of what worked and what didn't energetically, like, how much.
Speaker A:How much energy to bring, like.
Speaker A:I don't know, it's such a.
Speaker A:It's such a tightrope walk.
Speaker A:Because I feel like part of that comes from, like, what you say when you're not singing to, like, keep the attention or keep the energy and like, knowing when to crack a joke or when to be serious.
Speaker A:I can sometimes be a bit of a rambler up there and start talking for a really long time and, you know, losing my train of thought, whatever.
Speaker A:Kind of like what I'm doing right now.
Speaker C:Well, yeah.
Speaker C:Thinking about your busking.
Speaker A:Yeah.
Speaker C:What did you learn as a busker that we might notice during one of your shows?
Speaker A:Oh, good question.
Speaker A:I mean, I think it was just like a lot of practice playing for people in a way that was like with, I guess, non attachment because they would sometimes leave partway through a song or, you know, they would.
Speaker A:You know, I mean, I was 15 and it was a different situation, but I think that, like, just like getting comfortable with people witnessing you and like, kind of judging you ultimately, because I think that's, like, often not always in a bad way, but that is happening when you're performing.
Speaker A:People are, like, you know, internalizing it and placing their opinions and whatever.
Speaker A:So I think that I don't know if it's something that people would, like, notice necessarily, but I think I just, like, learned how to, like, feel a little unfazed by the fact that I'm just, like, standing in front of a bunch of people.
Speaker A:Because sometimes that can be nerve wracking.
Speaker A:Yeah.
Speaker C:Everyone's staring at you.
Speaker A:Yeah.
Speaker A:Sometimes it's like I'll have moments where.
Speaker C:I'm like, whoa, they came to hear you.
Speaker A:Yeah, totally.
Speaker C:So thinking about your music and your style, take this anywhere you want.
Speaker C:Like, what's a common misconception that you find that people may have about your music when they first hear it?
Speaker A:Well, I think I still definitely get kind of, like, pigeonholed.
Speaker A:Not pigeonholed.
Speaker A:That's a strong way of putting it.
Speaker A:But a lot of people are like, oh, like, bluegrass artist.
Speaker A:Bluegrass artist.
Speaker A:And I definitely play bluegrass music and love bluegrass music.
Speaker A:But I would, like.
Speaker A:I think that as I've grown and developed musically, I've, like, there's still completely 100% elements of that in my music, but I think that I've also sort of, like, moved, not even necessarily away from it, but I've just, like, added into the mix other things too.
Speaker A:So I guess that might be, like, a misconception that I'm, like, truly, like, a bluegrass artist, because I don't think that's, like, true at this point.
Speaker A:But I totally love that music and still play it.
Speaker C:Is it accurate to say you were born into the bluegrass tradition?
Speaker A:Yes.
Speaker C:And that's what you learned first?
Speaker A:Definitely.
Speaker A:Very accurate.
Speaker A:Yeah.
Speaker B:100%.
Speaker C:And you can hear that.
Speaker A:Yes.
Speaker C:In certain songs, for sure.
Speaker C:And what I find is the bluegrass community very supportive, but they like their bluegrass the way they like their bluegrass.
Speaker A:They like it straight up.
Speaker A:Yeah.
Speaker C:Have you, like, what kind of feedback do you get from the bluegrass purists who are like, we want to hear Bella, the bluegrass player.
Speaker C:What is she doing on these new albums?
Speaker A:I feel lucky that I haven't.
Speaker A:I haven't, like, had much face to face with that energy.
Speaker A:I have seen, like, the odd comment every now and then or whatever.
Speaker A:Like, people being like, oh, you added drums.
Speaker A:You're selling out, or like, whatever.
Speaker A:And I'm like, I don't know about that.
Speaker A:Like, you can think that or whatever.
Speaker A:But I honestly feel like I've been I think pretty, like, I think they're okay with it.
Speaker A:We'll see.
Speaker A:No one's told me that they don't like it really yet, but they're okay with this.
Speaker C:So thinking, like, when you were growing up, like, who are the musicians that inspired you early on?
Speaker C:And it could be bluegrass or could be something else that ye.
Speaker C:Because I'm trying to also think about where you started musically listening, and then what were some moments or musicians that maybe help you think a little bit more broadly about your sound.
Speaker A:Well, I always, like, loved all music.
Speaker A:The most basic answer, but I really did love everything.
Speaker A:And I like, in the.
Speaker A:You know, the music that my parents were, like, showing me a lot, like, my dad was like, loves Hank Williams and loves the Stanley Brothers, and, like, I was getting a lot of that traditional country, bluegrass, like, influence and listening to, like, Flattened Scruggs and all that stuff.
Speaker A:And then my mom is, like, really huge, like, Joni Mitchell person.
Speaker A:There's a lot of, like, Neil Young going on, a lot of the kind of, like, folk.
Speaker A:Folk scene, a lot of Bob Dylan.
Speaker A:So that stuff was really formative.
Speaker A:But then I also loved, like, Top 40s radio as a kid, so I was listening to it all.
Speaker A:I really, like, didn't have a. I didn't have a huge preference in any direction, and I. I was like a big Aretha Franklin girl.
Speaker A:I loved it all.
Speaker A:But, yeah, I don't know.
Speaker A:I still love, like, top 40s pop music is super fun, and I feel like that actually has, like, a mild influence on my music.
Speaker C:You have a moment where you were playing bluegrass, and then you're like, wait a minute, let me try this.
Speaker C:Or you go, there was something maybe you played for your parents, and they're like, bella, this is not like your fiddle clown.
Speaker C:Your.
Speaker C:Your.
Speaker C:Your bluegrass class.
Speaker A:You know, I feel like it was.
Speaker A:They were always like, so.
Speaker A:Because I was kind of, like, doing everything all the time.
Speaker A:Like, I had a karaoke machine in my room, and I literally just, like, sang all the time, and I had every album ever.
Speaker A:So I feel like they were pretty unfazed.
Speaker A:But I remember, like, there's this bluegrass camp that I grew up going to in British Columbia called Nimble Fingers, and that's where I met first Molly Tuttle.
Speaker A:And she was actually, like, teaching at the camp at the time.
Speaker A: mber what year this was maybe: Speaker A:We, like, both liked Taylor Swift, and I wouldn't say I'm like a huge Swifty anymore, but we started, like, having a lot of, like, Taylor Swift, bluegrass, jazz, and then.
Speaker A:Then started having all these, like, kind of pop music.
Speaker A:Bluegrass.
Speaker A:Bluegrass and air quotes.
Speaker A:You can't see me, but, you know, like, just sort of branching out.
Speaker A:And I think it's, like, fun when you start to realize that, like, everybody is just, like, pretty open to doing anything and whatever, you know?
Speaker C:For people who are not artists, who have never toured, what is the part of the tour that is the most exhausting?
Speaker A:Oh, man.
Speaker A:Well, it kind of depends on the tour because obviously, like, circumstances change and vary.
Speaker A:Like this tour, we.
Speaker A:Sometimes it's like the drives, like, if you have a bunch of.
Speaker A:If you're opening for someone and they're on a bus and you're not on a bus, they're usually driving through the night.
Speaker A:So that means sometimes they're driving, like, eight hours through the night.
Speaker A:So that means that if you're not doing that, you either have to drive eight hours and then go play a show or drive through the night part of the way or whatever.
Speaker A:So that can be exhausting.
Speaker A:And then otherwise, I would say it's just sometimes the amount of loading big amounts of stuff in and out of buildings and cars and vehicles and whatever, because it's like you load everything into the venue and you have big lots and lots of boxes of merch and get gear and whatever, and then you have to load it all back into the car, obviously.
Speaker A:And then maybe depending on where you're staying, there's not a protected parking area, so you have to load it all into your hotel or Airbnb and then load it back out.
Speaker A:And it's just like.
Speaker A:It's a lot of schlepping stuff around.
Speaker A:So that part, I think, gets pretty old pretty quick.
Speaker C:Yes.
Speaker C:And another good reason to have a good team with you.
Speaker C:Yes.
Speaker A:People who are up for the task.
Speaker A:Yeah.
Speaker C: use your show will end, what,: Speaker C:After you play the show, you normally head off to the next place.
Speaker A:We normally just stay in the city, like, or, you know, a lot of times it's not very glamorous if we're like, stay at a hotel, like in the suburbs sometimes to kind of get on the way.
Speaker A:But on this tour, we've, like, managed to get a lot of airbnbs and be just kind of in, like, trying to be.
Speaker A:If you can be, like, in the city, it's nice because then you can, like, wake up and get a coffee somewhere and, like, get some food.
Speaker A:And I feel like when you do the airport hotel thing, it just ends up being, like, a lot of strip mall time, which is, you know, not very glamorous.
Speaker C:What's one thing you would like people to start doing during your shows?
Speaker C:And what's something you would like them to stop doing?
Speaker A:Oh, my gosh.
Speaker A:Interesting question.
Speaker A:I guess there's nothing I really need them to start doing.
Speaker A:I feel like they're usually, like, pretty.
Speaker A:Pretty good.
Speaker A:I think.
Speaker A:Like, I tend to have pretty focused, pretty.
Speaker A:Pretty locked in crowds, so I don't know if I have.
Speaker A:I need to think about that.
Speaker A:But to stop doing.
Speaker A:I guess I have one thing I will say, which is sometimes we've had a couple, like, random, like, moments where there's been people in the front row who are, like, really, really, like, into it, but they decide that they don't think that we can hear them if they're, like, talking.
Speaker A:So sometimes it's funny.
Speaker A:People, I think, can feel like maybe there's, like, an imaginary wall where they.
Speaker A:Because we're making so much sound, they don't realize that we can hear the sound that they're making, which can be really funny.
Speaker A:So if I had to tell people to stop doing one thing, I would say, if you're gonna stand in the front row, don't talk.
Speaker A:But, you know, you go.
Speaker A:Go get your dream.
Speaker C:What's the most random thing that they're.
Speaker C:That you've heard them talking about in the front row during a show?
Speaker A:You know, I. I can't think of anything, like, particularly.
Speaker A:It's usually.
Speaker A:Honestly, they're kind of drunk and just, like, saying, like, you know, like, it's normally not very, like, coherent, but one time we were opening for the Red Clay Strays, and there was.
Speaker A:Yeah, it was fun.
Speaker A:Yeah.
Speaker A:And there was this.
Speaker A:These people in the front row that were.
Speaker A:This was honestly kind of annoying, but they were holding up photos of Paul Rudd and showing them to my fiddle player and telling him he looked like Paul.
Speaker A:But it became, like, very distracting, you know, like, it was, like, funny at first, and then we were like, wait, can you stop doing that now, please?
Speaker A:But, you know, people are generally so great.
Speaker A:Like, I feel like I have a really respectful audience, like, 99% of the time, so.
Speaker C:Well, that brings me to Another moment.
Speaker C: The first time I saw you at: Speaker C:And you stopped during the middle of your performance and made a comment like, you're being so attentive.
Speaker C:And there were thousands of people.
Speaker A:Yeah.
Speaker C:And I looked around and the Newport crowd is.
Speaker C:I'll say they're geared towards being attentive.
Speaker A:They're good listeners.
Speaker C:They were really tuning in to your set.
Speaker A:That was really special.
Speaker C:Did you get that?
Speaker C:Well, yeah.
Speaker C:How was Newport?
Speaker C:And then.
Speaker C:Do you get that a lot?
Speaker A:Newport was amazing.
Speaker A:I mean, it's like such an iconic festival.
Speaker A:It was really special to get to play.
Speaker A:And, yeah, I would say that was an especially attentive crowd.
Speaker A:But I do feel lucky.
Speaker A:I think the people who are coming usually kind of have an understanding that we're a gentler.
Speaker A:Even though we can get a little bit rambunctious musically sometimes.
Speaker A:I think that ultimately a lot of the people that are coming are coming.
Speaker A:Cause they like to listen to music and they want to.
Speaker A:Actually, I don't think people are usually coming to party too much at our shows.
Speaker A:So sometimes they are.
Speaker A:And it can be really fun, too.
Speaker C:So going down, this songwriting.
Speaker A:Yeah, please.
Speaker C:You write lines that feel emotionally lived in a very old way for someone who's so young, at the ripe age of 25.
Speaker C:25.
Speaker A:Yeah.
Speaker C:I mean, y'.
Speaker A:All.
Speaker C:25 Years old.
Speaker C:Okay.
Speaker C:So.
Speaker C:Flowers on my bedside yeah.
Speaker C:I. I'm so good at spending all my love on those who love me.
Speaker A:Those whose love for me has dried,.
Speaker C:Dried like the flowers on my bedside yeah.
Speaker C:How does a 20.
Speaker C:You were younger than 25 when you wrote that song.
Speaker A:I was probably 21 when I wrote that one.
Speaker A:Yeah.
Speaker C:Where does this come from for someone at 21?
Speaker C:At 21, most people don't have this kind of emotional depth to be able.
Speaker A:To deepen my heart.
Speaker A:I don't know where it comes from.
Speaker A:I feel like I've always been, like, pretty tuned into my feelings and been a big feeler.
Speaker A:Big, sensitive, girly.
Speaker A:So I feel like.
Speaker A:Yeah.
Speaker A:I don't know where it comes from.
Speaker A:I guess just somewhere.
Speaker A:Somewhere.
Speaker A:I have very emotionally intelligent parents that might have.
Speaker A:May have helped.
Speaker C:You're, like, feel those emotions.
Speaker A:Yeah.
Speaker C:You're worth a lot of money one day.
Speaker A:Yeah.
Speaker C:In this songwriting world.
Speaker C:Literally, the song, the Way I Had to Go, which is.
Speaker C:Yeah, that's a big one.
Speaker C:That one's really made a big splash now.
Speaker C:To me, the word love has lost all meaning.
Speaker A:Yeah.
Speaker C:I'm just an empty sound I thought I'd always.
Speaker C:It's just an Empty sound I thought I'd always know yeah, yeah Whoa.
Speaker A:Well, some of them were inspired.
Speaker A:My parents divorce inspired some writing for me.
Speaker A:And then also just, like, my own little heartbreaks along the way.
Speaker A:It's always inspo.
Speaker A:It's always inspiration.
Speaker A:Yeah.
Speaker C:So don't pass up a good crisis or get challenging.
Speaker C:Sad situation.
Speaker A:Yeah.
Speaker A:Only way out is through.
Speaker A:Yeah.
Speaker A:Wow.
Speaker C:Oh, man.
Speaker C:So it's a lot of the songs, as you would expect.
Speaker C:It's like your own processing, definitely.
Speaker C:Are you processing on stage when we see you or like, hey, I wrote that.
Speaker C:Like, the writing is the processing.
Speaker A:I think the writing is the processing.
Speaker A:I mean, occasionally I might, like.
Speaker A:Sometimes I'll be singing something and I'll be like.
Speaker A:I mean, I'm always, like, feeling it.
Speaker A:I'm always trying to, when I'm performing, like, tap into my emotions and, like, make that a part of what's happening.
Speaker A:But I would say most of the time, the processing happens prior to the performance, and then that's usually just, like, fun.
Speaker A:Just fun energy.
Speaker C:Do you like to write about restlessness?
Speaker A:Yeah, I mean, I especially.
Speaker A:I feel like I am always writing about restlessness.
Speaker A:I feel like all of my songs are somehow incorporating restlessness into them.
Speaker C:Okay.
Speaker C:I'm glad I didn't botch that question.
Speaker A:No.
Speaker C:So talk to me about Rust, because I think about.
Speaker C:I don't want to put any words around.
Speaker C:Let me hear what you.
Speaker C:Why is restlessness so inspiring for you to write about?
Speaker C:Why.
Speaker C:Why are you continuing to explore it?
Speaker A:Yeah.
Speaker C:What is it?
Speaker A:Maybe I'm just incredibly restless.
Speaker A:I don't know.
Speaker A:I'm like.
Speaker A:It's just the restlessness in me, I guess.
Speaker A:It's just something that I feel like is pretty.
Speaker A:I mean, this isn't why I'm writing about it, but it is something that I think is, like, pretty universally experienced by people at maybe different times in life or like, certain people more than others.
Speaker A:But I feel like everyone has probably felt in a more kind of.
Speaker A:What is the word?
Speaker A:Acute way or, like, maybe more abstract.
Speaker A:Like, I think that I've often been like.
Speaker A:Whether it's matters of the heart or just, like, literally where I am in a moment.
Speaker A:I feel like I'm often interested in what's around the corner, or sometimes I'm wondering what's around the corner.
Speaker A:And I think that sometimes in an impatient way and sometimes in a way that I think is only natural, but I think that it's just like a ever inspiring theme and something that's just applicable to so many situations that I feel like it's kind of just like always there.
Speaker C:So starting to bring it back around.
Speaker C:No show tonight.
Speaker A:Yeah, go for it.
Speaker C:What should people expect when they come to a Bella White show?
Speaker A:Well, right now the little configuration that I've been touring with is me and bass and drums.
Speaker A:So that, yeah, that's.
Speaker A:It's a pretty like stripped down thing but I feel like it packs a punch and the musicians that I'm playing with are so talented and they're amazing singers.
Speaker A:So there's like a lot of harmonies and a lot of just like pretty voices blending together or so I think.
Speaker A:And yeah, just like fun light heartedness.
Speaker A:Even though it's kind of energetically heavy content.
Speaker A:Try to keep the energy light in the.
Speaker A:In between time.
Speaker A:Yeah, just like I really like hopefully a nice evening.
Speaker A:Yeah.
Speaker C:If you have to tell me more, what's the feedback that you're getting from people who have been on this tour, have come to see you play, give you feedback.
Speaker A:I've been getting really great feedback.
Speaker A:A lot of the shows have been sold out, which has been really lovely and they've been.
Speaker A:I think people have been liking.
Speaker A:Yeah, like in the trio configuration like I mentioned, I think it's like an intimate feeling sometimes.
Speaker A:Like, I mean I love a full band and I love touring and playing with a full band but I do feel like when there's fewer of us there's like more of a connection in some way because it's just like less, I don't know, less distractions for us and we're just sort of more present.
Speaker A:So I think people have been liking that and we've been liking that.
Speaker C:Yeah, that's fantastic feedback.
Speaker C:What's it like as an artist to have a sold out show?
Speaker A:It feels amazing.
Speaker A:Yeah, it's a really crazy thing.
Speaker A:I mean it's trippy.
Speaker A:I'm like really guys, you all wanted to come?
Speaker A:Really cool.
Speaker C:Last question.
Speaker C:Yeah, I'll open up if you want to communicate something to the audience.
Speaker C:But at the ripe age of 25, what do you believe or what do you hope?
Speaker C:The Bella White legacy.
Speaker C:One day down the road.
Speaker C:That's a light question.
Speaker A:Yeah, light question.
Speaker A:I guess like I hope that people will remember me just as like someone like, I don't know, I think about my favorite musicians and like, you know, the classics and just something that feels really comforting and familiar to like look back on and that my music can kind of like apply to my fans or whatever like throughout their whole lives and that it's not just like a fleeting moment, I guess.
Speaker A:I like it doesn't need to be like, I don't need to be the most famous person in the world, but I would, like, I would feel amazing if the fans that I have now, like, stayed fans throughout the journey, you know, to carry.
Speaker A:Carry them with me.
Speaker A:Yeah.
Speaker C:This is the last question, but for.
Speaker C:I've got other.
Speaker C:For, like, rising musicians, people that.
Speaker C:Oh, yeah, like young artists.
Speaker C:What's your advice for them?
Speaker C:I really liked what you said about you got started with a karaoke machine in your room.
Speaker A:Yeah, get everyone, get a karaoke machine.
Speaker C:Anything else come to mind?
Speaker A:I guess just like, don't make anything that you don't like or like.
Speaker A:Don't let anyone tell you to put something out or whatever if you don't like it, because if you don't like it, then you won't have fun with it.
Speaker A:And you got to have fun with it because that's how it stays.
Speaker A:Good.
Speaker A:Wow.
Speaker C:All right, so what's.
Speaker C:Any parting.
Speaker C:Other thoughts for our listeners before we wind up?
Speaker A:I guess just like, thanks for listening to me talk right now.
Speaker A:Yeah, I think you've heard her talk.
Speaker C:Now it's time to go hear her sing.
Speaker A:Yeah.
Speaker A:If you feel like listening to my music, you didn't know where to find it.
Speaker C:Thanks for joining us on Americana Curious.
Speaker A:Thank you for having me.
Speaker C:Thanks for joining Zach and I for this episode of Americana Curious.
Speaker C:Subscribe where you listen to your podcast so you are notified when a new episode is released.
Speaker C:I'm Ben Fanning, and it's been great sharing these artists and music with you.
Speaker C:Until next time, stay Americana Curious.
